The singer finds peace and quiet not in literal death, but in the death of love.
The album centers the body as a conduit to connection and creation.
The show was a challenge of stamina and musicianship, comprising 20 tightly paced songs.
On Still, de Casier expresses a newfound degree of doubt and romantic turmoil.
The singer ruminates on the joyous upheavals that come with marriage.
The album acts as a purging of the artist’s intense emotions and expansive aesthetic interests.
The singer-songwriter exposes her creative process and, in doing so, maps out the rich topography of her psyche.
The album boasts an uncommon sense of gratitude for love and for the opportunity to share it.
The two performers were at turns electrifying and celebratory at their show in Los Angeles.
With their third studio album, the artist expands, refines, and masters their creative vision.
The singer’s ability to pack so many gut-punches and inspired ideas into half an hour remains uncannily impactful.
Vocal hooks take a backseat to an impressionistic rendering of desire on Amber Bain’s latest.
The album is the culmination of the French singer’s ambitious approach to pop conventions.
In both content and style, the album serves as a homecoming for the singer-songwriter.
Released in 1998, Amos’s fourth studio album found the singer-songwriter dabbling in rock and electronic sounds.
The singer’s sixth studio album offers a widescreen perspective of humanity, optimism, and purpose.
A sense of loss remains pervasive and all-encompassing on the trio’s third album.
The album pairs the singer’s rasp with chilled-out contemporary pop arrangements—with mixed results.
The duo takes one step closer to the present by interspersing their 20th-century callbacks with nods to turn-of-the-millennium pop-rock.
Sarah Bonito’s debut EP uses the titular mythological figure as a jumping-off point for a study of hubris.