This is “content” at its most nakedly bankrupt.
This is “content” at its most nakedly bankrupt.
The film suggests Rules of the Game cross-bred with a Spielberg creature feature.
MoreNovocaine takes action-movie invulnerability to brutal comic extremes.
MoreBlack Bag is the kind of old-fashioned caper that Soderbergh can make in his sleep.
MoreThe film’s open affection for the Looney Tunes franchise has a restorative quality.
MoreThe album commits a mortal pop sin: It’s kind of boring.
Earnest and quietly distraught, the album is the musician’s most starkly realized effort.
Lennox’s latest is his attempt at crafting something in the key of Jimmy Buffet.
This list is part sheepish capitulation to the role the Oscars have played in our lives.
The show’s comedy is at its best when it gets a little dark and more than a little pointed.
MoreThe mix of superhero story and legal drama remains a winning formula.
MoreThis anodyne series works awfully hard to drain itself of context and specificity.
MoreThe film is an unnerving portrait of labyrinthine bureaucracy and existential despair.
MoreThere’s a sentimental heart to Mann’s films, as much as his fans might not like to hear about it.
MoreWhannell’s film consistently struggles to overcome the obviousness of its story construction.
MoreLesage discusses the struggles faced by more than just youth across his films.
The game’s narrative doesn’t support the 10 hours that it takes to complete.
MoreSplit Fiction is, against the odds, a smile-inducing charmer.
MoreThe disorientation that Everhood 2 seeks to bring about is more or less the point here.
MoreMenzel has range, but her character doesn’t, and that’s Redwood’s chief failure.
In the last two years, the festival’s programming has grown riskier and more boundary-crossing.
The theater pieces that resonated most this year were stories of communal, collective healing.