Lesage discusses the struggles faced by more than just youth across his films.
On the occasion of the release of Brave New World, we ranked all the films in the MCU.
Rankin discusses why he rejects the idea that fakeness in cinema is inherently bad.
The festival’s curatorial boldness has never felt so necessary.
Abbott discusses the merging of character and self and how the film fits into his career arc.
Eggers discusses the film, its origins, and how the story was received in its birthplace.
In the last two years, the festival’s programming has grown riskier and more boundary-crossing.
The arrival of Oscar prognostication season is both a blessing and a curse.
Anderson and Curtis discuss how their experiences as actresses colored their roles.
Delpero discusses what she hopes spending time in a bygone era offers to modern viewers.
The series has morphed from a “social experiment” into TV’s most complex competition.
Blumberg discusses developing the film’s main musical themes, his collaborators, and more.
Nivola discusses where he saw connections to his own life in Brady Corbet’s film.
The theater pieces that resonated most this year were stories of communal, collective healing.
All of these videos tell us that it’s okay to want another person next to us.
Horror continues to evolve in ways that confound and as such prove the genre’s durability.
For all their looking back, our favorite films of the year don’t engage in thoughtless nostalgia for an earlier time.