The film’s unabashed humanity usurps even its most treacly touches.
Guerilla filmmaking with a newcomer’s edge has rarely been put to better use.
Berger’s film effortlessly brings a sense of universality to its story.
On the occasion of Godzilla x Kong’s release, we ranked the films in the Godzilla franchise.
To celebrate the 35th anniversary of this iconic institution, we’ve ranked 15 of the show’s best episodes.
It’s safe to say our cultural fascination with the blood-sucking undead isn’t going away anytime soon.
Patton Oswalt discusses his working relationship with Rachel Dratch, the timeless quality of movies, and more.
A Clockwork Orange, possibly the most polarizing film in a much-debated filmography, receives a remarkable visual upgrade.
Severin’s 4K transfer of Santa Sangre ensures that this is the definitive home-video release of Jodorowsky’s carnivalesque masterwork.
As the series comes to a conclusion, we take a look back and rank all 77 episodes.
It’s disappointing that so much of the film feels like mere tilling of the soil.
Despite the subdued anger and drawn-out suffering on display, the documentary is primarily a work of hope.
A knowing mélange of recognizable genre tropes bordering on shopworn cliché, with little else introduced to the equation to justify its existence.
The film is spare, empathic, and deeply introspective, and its imagery, such as a pelican fascinated by its own reflection, is so sublime in its kookiness as to be worthy of Werner Herzog.
At 50-plus minutes an episode, The Newsroom brings to mind Jeffrey Jones’s words from Amadeus: too many notes.
The film modestly embraces its inherent minimalism and finds the emotions underlying even the most schematic of scenarios.
By formally acknowledging the material’s inherent silliness ad nauseam, the filmmakers have distanced themselves from the spirit of the parody, robbing it of its gruesome pleasures.
The film is at once enabled and hindered by its utter strangeness, an intrinsic quality surely exacerbated in its English-language release.
The doc does a good job of avoiding partisan caterwauling, limiting its argument to a clear thesis and well-articulated supporting statements.
The film might hit you right in the feels, even as your eyes are rolling.