This is “content” at its most nakedly bankrupt.
Split Fiction is, against the odds, a smile-inducing charmer.
Like a Dragon takes its chaotic act to the high seas in a delightfully silly spin-off.
Anya Taylor-Joy and Miles Teller meet cute at the gates of hell in uneven action-horror yarn.
Tony Benna’s film is a consistently hilarious look at the ridiculousness of living with cancer.
Instead of trying to rewrite the book of love, Heart Eyes is more than happy to abide by it.
This is a marriage of talents that’s doomed to fail from the start.
Eggers discusses the film, its origins, and how the story was received in its birthplace.
Keke Palmer and SZA throw it back in more ways than one in this breezy comedy.
Art thrives under fire in this documentary about a Hamlet production unlike any other.
The hedgehogs are the stars here, and it’s no longer a surprise as to why that is.
At its best, the film carries itself forward with the dignity worthy of a king.
The game finds Indy returning to terrain well trod by Lara Croft and Nathan Drake.
The film fails to take advantage of the most basic fertile ground of its concept.
There’s a lot of Miyazaki Hayao’s Nausicaa in the film’s visual language.
Moana’s great voyage winds up taking her around in circles.
The game is chock full of audacious ideas, but it can’t seem to capitalize on them.
Red One tries to straddle the line of naughty and nice, and ends up being nothing as a result.
A cult favorite gets a minor glow-up and a second chance in the spotlight.
Caroline Lindy’s rom-com is a delightful beauty until it decides to be a beast.