The show’s comedy is at its best when it gets a little dark and more than a little pointed.
This is an immensely likeable film, thanks largely to the chemistry between its two leads.
McVeigh’s ominous atmosphere is omnipresent, clinging to Timothy like a dog to a bone.
The mix of superhero story and legal drama remains a winning formula.
In a work as emotionally devastating as this, the performances are everything.
Visually, the film conjures the same sense of dreamy disorientation of Coralie Fargeat’s work.
The series suffers from lackluster fight scenes and thin characterization.
The film is full of little moments that speak clearly to the particularities of father-son bonds.
What the show’s storytelling lacks in sophistication it makes up for with sincerity.
This is an unrelentingly funny movie that happens to be about the after-effects of sexual assault.
Geeta Gandbhir’s film is a trenchant indictment of laws that facilitate white vigilantism.
The sharply written series delivers a near-perfect balance of bitter and sweet.
A crime thriller and a sci-fi mystery that harbors ambitions of being a political drama.
Sasha Rainbow’s film loses all momentum once the face-swapping kicks into motion.
The show’s second season provides familiar pleasures and devious new twists.
The India on display in Santosh is fascinatingly shot through with contradictions.
Morrison’s feature directorial debut is marked by a vivid emotional authenticity.
The series puts a clever twist on the thriller genre but its political commentary feels jumbled.
Paddington in Peru offers an idea of Britishness that’s multifaceted and modern.
The film’s attempts to tell two stories at once ultimately see it damned by its own ambition.