The extras further attest to Nan Goldin’s commitment to intertwining the personal and political.
We may as well just light it up and acquiesce to the inevitable all-consuming blast.
The film makes a convincing case for Torres’s belief in art as a narcissistic act of self-care.
With Criterion’s glorious 4K restoration of Videodrome, the new flesh lives anew.
Roeg’s Don’t Look Now is driven by a crushing sense of emotional desolation.
The sirenic, jittery sensuality of the film’s images benefit from the 4K uplift.
The Exorcist still gets under the skin after 50 years.
The first season of gets an image/sound presentation that’s practically beyond reproach.
Godard’s debut feature feels immortal on Criterion’s 4K UHD Blu-ray release.
Foolish Wives lives anew on Flicker Alley’s essential Blu-ray release.
Pier Paolo Pasolini perpetually rebelled against moral hegemony, commiserating with outcasts and creating and dying as one.
Thelma & Louise is a legitimately unique rethinking of genre structure.
Cohen Media Group will open Vadim Perelman’s latest on June 9.
This spastically existential crime-flick abstraction unfurls like Suzuki’s cracked self-portrait.
Wenders’s fantasy of angels in Berlin before the end of the Cold War takes flight on 4K UHD.
Warner Bros. will release Denis Villeneuve’s film in select theaters on November 3.
The film asks us to eat the rich, but Criterion’s release is at best a delicious light snack.
The previously announced Killers of the Flower Moon will screen out of competition.
Asteroid City will touch down in select U.S. theaters on June 16.
Inland Empire retains its low-res, subterranean power on Criterion’s Blu-ray release.