Clouzot’s brutally tense thriller looks better than ever on Criterion’s release.
Can you blame us for indulging in “humanities major, sociology minor” thought exercises?
We keep coming back here to the same presupposition: that this is Demi Moore’s race to lose.
It’s hard not to see Dune: Part Two’s sandworm mayhem as being in its own lane here.
The narrative drive of Conclave’s script proves a model for concision and momentum.
Here we admit that conventional wisdom feels like a smarter bet.
Today we ask, “Will Wicked follow in Barbie’s footsteps and get near-scotched at the Oscars?”
Luck may play more of a factor here than ever seemed possible just a couple of weeks ago.
Better luck in the other music category, Emilia Pérez.
In the home stretch, Zoe Saldaña has emerged as this Oscar season’s prime sympathy vote.
Almost by default, this feels down to the most esoteric nominee of the bunch and the simplest.
It will probably come down here to the contenders that grapple with familiar foes.
Monstro Elisasue will take one more blood-spewing bow here.
Cruising had to answer for a lot of unfair expectations.
The arrival of Oscar prognostication season is both a blessing and a curse.
Brooks’s still uproarious film receives its definitive video release for its golden anniversary.
The film is prone to indulge in poetic intermezzos, at once earthy and otherworldly.
Twister is so 1990s it hurts.
Fassbinder’s film, adapted from Jean Genet’s Querelle of Brest, is a dazzling high-wire act.
To celebrate the release of “Portrait,” we’ve ranked Mariah Carey’s 10 best remixes.