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Slant Magazine

Eli Friedberg

Eli Friedberg is a freelancer who’s writing has also appeared in The Film Stage.

Seven Veils

‘Seven Veils’ Review: Atom Egoyan’s Chilly Psychodrama of Artistic Obsession Gone Awry

by Eli Friedberg
March 2, 2025

The film’s pleasures are ultimately more textural and academic than those of Tár.

Cleaner

‘Cleaner’ Review: Martin Campbell’s ‘Die Hard’ Clone Has Big Straight-to-Video Energy

by Eli Friedberg
February 17, 2025

The film does with the inside-outside perspective that’s embedded in its premise.

From Ground Zero

‘From Ground Zero’ Review: A Stirring Testament to Art as a Tool of Survival

by Eli Friedberg
December 27, 2024

The film attests to the power of art-making to affirm life in the face of omnipresent death.

Super Mario Party Jamboree

‘Super Mario Party Jamboree’ Review: Party Mayhem That Rewards Player Skill

by Eli Friedberg
October 29, 2024

The game rewards players for strategic planning, adaptability, and more.

Nocturnes

‘Nocturnes’ Review: A Meditative Challenge to Our Human-Centric View of the World

by Eli Friedberg
October 15, 2024

Nocturnes is one of the most reverent treatments of scientific process in recent memory.

Intercepted

‘Intercepted’ Review: Oksana Karpovych’s Chilly Document of War, Indifference, and More

by Eli Friedberg
October 1, 2024

The film’s images and words are an imprint of tremendous state violence.

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