Kino’s 4K UHD release features a stellar new transfer and a strong slate of extras.
Smoke Sauna Sisterhood Review: Anna Hints’s Ethereal Portrait of Healing and Communion
It transmits a profound sense of the communion between people bound by shared hardship.
A desperate yearning for belonging is central to Boetticher’s subtle and serpentine westerns.
Fallen Leaves Review: Aki Kaurismäki’s Portrait of Love and Longing in an Anachronistic Limbo
Kaurismäki’s latest is deeply alert to the sensory pleasures of the world.
The film’s unifying theme is the egocentrism and inevitable violence of masculinity.
Pacifiction uses its thin narrative elements as a pretense to explore the texture of uncertainty, suspicion, and inaction.
Universal brings Licorice Pizza to home video with a beautiful Blu-ray, though the lack of a UHD option for such a gorgeous film is frustrating.
The film emerges from a bottomless well of Italian folk tradition, its narrative elaborately draped in veils of hearsay and scuttlebutt.
The collisions between the grave and the comic are crucial to the film’s vision of a society cracking under the weight of its inconsistencies.
This release of Márta Mészáros’s most well-known film teasingly peels back the curtain on a fascinating and underappreciated career.
That Kind of Summer never quite resolves into any one stance on its subjects, an equanimity that’s to its credit.
Mario Bava’s film stretches the gap between lurid material and sophistication of execution to its breaking point.
Béla Tarr’s doom-laden noir is treated to a long-awaited 4K restoration of exquisite clarity by Arbelos Films.
It’s the hints of danger, employed like ghost notes in a shuffling rhythm, that lend the film its sneaky depth of feeling.
Accuse Borowczyk of perpetrating a pervy male gaze, but never accuse him of repressing anything.
Todd Haynes’s 1991 feature-length debut rings in its 30th birthday with a solid Blu-ray package from Kino Lorber.
One of the titanic accomplishments of Japanese cinema receives a sparkling Blu-ray update from Criterion.
The film navigates a tricky space between pathos and absurdity and often turns on a dime from one to the other.
The beauty of the presentation makes this a must-own release, even if the relatively by-the-numbers extras don’t fully rise to the occasion.
In the film, Australia is a country of sleepwalkers drifting along in a placid dream, unable or unwilling to wake up and move forward.