Is this the underwhelming Kit Kat Club all over again? Well, yes and no.
Shaw discusses the creation of The Shark Is Broken, his memories of the Jaws set, and more.
Few shows have mastered the varied arts of cinematic recreation quite like this one.
Once Upon a One More Time is a frivolously delightful entry into the jukebox genre.
There’s a shadow hanging over the 2023 Tony Awards, and we don’t just mean the WGA strike.
Nair discusses the importance of bringing her most popular movie to the stage and more.
Sher discusses how Camelot speaks to our current turbulent era of national politics.
Never before has a boy triumphed more.
Comer’s Tessa wins the case for Suzie Miller’s play as urgent, necessary theater.
Ijames celebrates his characters in all their hammy, juicy humanity.
Shucked should probably invest in some “Keep the punchlines” pins.
What’s frustrating about the play is that it skims and skids on and around interesting ideas.
Sweeney Todd can still shock, even if this production seldom goes for the jugular.
The Harder They Come deserves a weirder, more surprising stage adaptation.
Pictures from Home is a frantically verbal adaptation that’s not given to subtlety.
A united community is a powerful force that can be used for healing or destruction.
These shows range from revitalizing revivals to redemptive restagings of undervalued gems.
The show’s pizzazz may be enough to help it survive in a turbulent Broadway landscape.
Thomas Ostermeier’s production reclaims Hamlet, fleetingly but full-heartedly, for all of us.
Hare discusses his particular take on Robert Moses and the kind of theater he favors.
Watching the play is squirmingly uncomfortable in a way that reading Hanya Yanagihara’s book never is.