As in his stand-up, Pryor deftly mixes humor and tragedy throughout the film.
Kino’s release marks the finest North American home-video presentation of the film to date.
The Antichrist is an intriguing pastiche of ’70s movie trends.
In & Out struts onto 4K UHD with a superb transfer and a positively gay array of extras.
This 4K digital restoration of the original director’s cut looks outstanding.
Claire Denis’s sophomore feature is a clear-eyed portrait of a world of violence and exploitation.
Twister is so 1990s it hurts.
Kusama’s film is a prescient and compelling consideration of gender identity and sports.
This release could easily have been marketed as an anthology of Schickele’s work.
Blue Underground gives Clark’s cult classic an impressive 4K upgrade.
These essential documentaries have been carefully restored in high definition by MoMA.
Wayne’s 1976 swan song lands on Blu-ray with a stagecoach full of extras.
The film suggests something like a western-inflected musical riff on Design for Living.
The film flits uncertainly between telegraphing seriousness and seeking refuge in camp.
Med Hondo’s film is a bravura spectacle of intellectual and cinematic daring.
Never has the green felt on poker tables suggested such a world unto itself.
The film is an triumph of effortless story execution, pinpoint humor, and acting masterclass.
Panico neither caters to newcomers to Argento’s work nor preaches to the converted.
The film is remarkable for largely leaving emotions unresolved and relationships feeling messy.
Style is an end in itself across Paul Vecchiali’s moody, labyrinthine The Strangler.