This is “content” at its most nakedly bankrupt.
This is an unrelentingly funny movie that happens to be about the after-effects of sexual assault.
In its messy unreality, the film finds something profoundly simple in the trivial.
The film is a tonal rollercoaster navigating wild swings with pinpoint precision.
This Irish drama’s tone of inevitability amounts to an anti-modern despair.
Beyond the violence, the film makes us privy to the struggle of men to hold onto their humanity.
The film’s succession of symbolically loaded vignettes is less meaningful than intended.
From the start, the film stokes tension with its peculiar sense of atmosphere.
The film has more on its mind than charting the rise and fall of another troubled icon.
Instead of trying to rewrite the book of love, Heart Eyes is more than happy to abide by it.
This crafty friendship comedy plumbs unanticipated emotional and thematic depths.
The film attests to Hujar’s devotion to exploring the relationship between high and low culture.
Geeta Gandbhir’s film is a trenchant indictment of laws that facilitate white vigilantism.
The film scatters itself across multiple plot angles that confuse more than clarify.
The musical is lesser Kander and Ebb, but it still contains a critique that’s barely visible here.
David Osit’s trenchant film moves beyond recounting the controversial show’s history.
The film is a wicked embodiment of the notion of the media itself being the message.
In the harsh light of 2025, the film’s snapshot of its 1997 setting doesn’t look like yesterday.
If all that it had going for it was its gonzo concept, the film would be a pretty dire affair.
This is a marriage of talents that’s doomed to fail from the start.
This Wedding Banquet has more on the table than broad gags.